Oil On Canvas, Real Flavor of Old Masters

All Vladimir Makovsky 's Paintings
The Painting Names Are Sorted From A to Z

ID Image  Painting (From A to Z)       Details 
93070  
Armenbesuch, Vladimir Makovsky
  		 Armenbesuch   Date 1874(1874) Medium oil on canvas Dimensions 69 X 96 cm TTD
93071  
Bank crash, Vladimir Makovsky
  		 Bank crash   Dimensions 46 X 71 cm TTD
72059  
Dinner, Vladimir Makovsky
  		 Dinner   oil painting 1875(1875)
73568  
Dinner, Vladimir Makovsky
  		 Dinner   English: oil painting Date 1875 cyf
71999  
Don't Go, Vladimir Makovsky
  		 Don't Go   oil painting 1892(1892)
91612  
Evening company, Vladimir Makovsky
  		 Evening company   1875-1897 Medium oil on canvas Dimensions 108,5 X 144 cm cjr
74305  
Goodbye Papa., Vladimir Makovsky
  		 Goodbye Papa.   English: oil painting on canvas Date 1894
72542  
Goodbye, Papa, Vladimir Makovsky
  		 Goodbye, Papa   oil painting on canvas 1894(1894) cjr
73398  
His First Suit, Vladimir Makovsky
  		 His First Suit   oil painting on canvas. In olden days in Russia it was a rite of passage for young men of better families to get their first suit at age 16. This painting depicts such an occasion. Date 1892 cyf
93075  
Maid with children, Vladimir Makovsky
  		 Maid with children   Date 1883 TTD
73458  
Making Jam, Vladimir Makovsky
  		 Making Jam   oil painting on canvas Date 1876 cyf
93074  
Market in Poltava, Vladimir Makovsky
  		 Market in Poltava   Date:? TTD
71998  
Not Guilty, Vladimir Makovsky
  		 Not Guilty   oil painting on canvas 1882(1882)
73459  
Not Guilty, Vladimir Makovsky
  		 Not Guilty   oil painting on canvas Date 1882 cyf
72058  
The Village Children, Vladimir Makovsky
  		 The Village Children   oil painting 1880(1880) cjr
73567  
Village Children, Vladimir Makovsky
  		 Village Children   Date 1880 cyf
89716  
Young Lady Looking into a Mirror, Vladimir Makovsky
  		 Young Lady Looking into a Mirror   oil on artist's board, 11 x 8.75 inches (27.9 x 22.2 cm) Date 1916(1916) cjr
Vladimir Makovsky
(Russian: 26 January (greg.: 7 February) 1846, Moscow - 21 February 1920, Petrograd) was a Russian painter, art collector, and teacher. Portrait by Vladimir Makovsky of Empress Maria Fyodorovna. Gatchina Palace, 1885Makovsky was the son of collector, Yegor Ivanovich Makovsky, who was one of the founders of the Moscow Art School. Vladimir had two brothers, Nikolai Makovsky and Konstantin Makovsky, and one sister, Alexandra Makovsky, all of whom were famous painters. Vladimir studied at the Moscow School of Painting, Sculpture, and Architecture. He finished his studies in 1869 and the following year became one of the founding members of the Association of Travelling Art Exhibitions, where his many years of prolific work brought him to a leading position Makovsky's work was defined by a perpetual humor as well as blatant irony and scorn. During the seventies his paintings dealt primarily with small-town folk. His pictures, "The Grape-juice Seller" (1879), "Fruit-Preserving" (1876) and "The Congratulator" (1878) depict various scenes where the mood is finely conceived and almost laughter-inducing. Other works of his, such as "The Benefactor" (1874) and "The Convict" (1878) are profoundly socially-conscious. In them, Makovsky either criticizes the false sympathy of the aristocracy towards the poor, or draws attention to the oppression and persecution by the tsarist gendarmerie. In 1878, he became an academician. In the eighties, during the time of Russian "democratic" painting, Makovsky produced some of his most valued works. In 1882, he was made professor at the Moscow Art School after the death of Vasili Perov. Some of Makovsky's greatest works of this period include "In the Ante-room of the Court of Conciliation" (1880), "The Released Prisoner" (1882), and "The Collapse of the Bank" (1881). From the end of the 1880s, Makovsky began to produce more gloomy works. Quintessential works of this period include "You Shall Not Go" (1892), and "On the Boulevard" (1888). In 1894, Makovsky became Rector of the Preparatory school of the Academy of Art. After the First Russian Revolution, he painted "January 9, 1905, on Vasilyev Island" in which he depicts the armed police firing at defenseless people. In another painting "The Sacrifices on the Khodyn Field" in which a thousand people lost their lives during the coronation ceremony in 1896 of Nicholas II, he again stood uncompromisingly on the side of the oppressed people. After the 1917 October Revolution, Makovsky helped carry over the realist traditions to the early stages of Socialist Realism.



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